Bennington, acrylic on canvas, 24” x 24” 2008 Sonoma, acrylic on panel, 36” x 36” 2008 Campus, acrylic on canvas, 48” x 48” 2008 Lake Chambers, acrylic on panel, 48” x 48” 2006 Small Town In-Ground, acrylic on canvas, 24” x 24” 2008 Vacaville, acrylic on panel, 36” x 36” 2006
"It is indeed foolish to bite the hand that feeds me" "Streets are not safe anymore, in twenty years, Parisians lost 40% of their spermatozoids" "When I quit smoking I can’t work anymore and when I start again it’s not better."
Nicholas Di Genova, Gothic Fauna, Dirt Wolf, 900 Aquatic Invertebrates, Denizens of Homo-Avien District, Cordyceps Toad and Untitled.
“Drawing on the influence of anime, comic books, Otaku culture, and animal compendiums, the work of Nicholas Di Genova features an encyclopedic range of constructed creatures ranging from soft and nurturing to calculating and military. A vast and intense fabricated history acts as a backdrop to the hundreds of interconnected species, families and rival clans that find themselves projecting their habits, relations and environments to their viewers. Working with ink and animation paints, Di Genova’s paintings on mylar highlight his skill with line and his ability to manipulate colour. Always intense and intricately executed, Di Genova’s work rivals the quality of any fine art painter while firmly establishing itself on the fringes of contemporary art.” SOURCE : le-gallery.ca
Laurence Nerbonne, Étude 3, Nature Morte and Monroe is Dead 6, all acrylic on canvas.
Laurence Nerbonne, a very young and self-taught artist, focuses on human representation. More than simple portraits, her artworks are devoted to pure emotion. Each painting is an encounter, first between the artist and the model, and then between the model and the viewer. Laurence starts with photography, and later brings the character to life with acrylic in her dark studio, enlightened with just a few sources. She captures the subject’s personality, and tells a true story through very sharp brushstrokes. Using a classical clair-obscur technique, Laurence Nerbonne provides a new vision of portrait : objective, modern and metaphorical. People on those canvases become witnesses of our time, and could be anyone of us.
Laurence Nerbonne is also part of Hôtel Morphée, as a singer, guitarist and violinist. Video here. Itunes here. Her music, you’ll hear it, could easily be a soundtrack for the stories Laurence tells us in her artwork.